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The Gay Parisian

The Gay Parisian

4.7

1942

20 min

Music

Romance

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).

The Gay Parisian

4.7

1942

20 min

Music

Romance

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).

Cast

Léonide Massine

The Peruvian

Milada Mladova

The Glove Seller

Frederic Franklin

The Baron

Nathalie Krassovska

The Flower Girl

Andre Eglevsky

Tortoni

Igor Youskevitch

Officer

James Starbuck

Dancer

Lubov Roudenko

Can-Can Dancer

Casimir Kokitch

Dancer

Cyd Charisse

Dancer (uncredited)

Marc Platt

Dancer (uncredited)

George Zoritch

Dancer (uncredited)

Reviews

CinemaSerf

@Geronimo1967

3 months ago

This is a vividly colourful excerpt from Offenbach’s ballet “Gaité Parisienne” performed by Monaco’s acclaimed Ballet Russe with quite a few of it’s more memorable pieces of music providing a score for duets, fisticuffs and elegant dancing. Essentially, though, it is really just a showcase for some Technicolor sumptuousness. The one thing I do like about visiting a theatre is the static seat you sit on. The cast perform to you, en masse, whilst you remain in the same position - not from behind a railing, or a plant, or from thirty foot above the stage at the side. Jean Negulesco seems not to be bothered about that continuity as the camera flits about all over the stage and effectively destroys the overall look and flow of this high-costume drama. We are too often in the laps of the leading dancers and so don’t really get a sense of the company experience that makes ballet a team proposition. Even though it’s only a single act story, it’s nigh-on impossible to condense that into twenty minutes and this presentation really doesn’t do justice to much beyond the appealing visuals. Worth a watch, but a bit disappointing.